Īt a workshop at ENSAD in Paris in 2015, Andrea Vendetti (Urbino, Italy), Delphine Bereski and Jussi Kantonen co-designed Appalachian Cherokee.
Typefaces from 2020: Nunka Anent Dingbat, Sébastien (a set of color typefaces inspired by Truchet's tilings).
Typefaces from 2017: Tinkuy Patterns (a free op-art pattern font related to native Andean cultures in 2021, published by Sudtipos with gdigitization by Alejandro Paul), M46C (experimental, and modular), Entorno (a modular prismatic typeface), Arhuaca (a precolombian pattern font). In 2017, she designed an extraordinary multiline ancient Mexican culture-themed decorative typeface, Coatl Serpiente, and published the Arhuaca op-art patterns. Typefaces from 2016: Criolla (an ornamental circus font, extended to Criollabat in 2019). Her typefaces Modular 46 and Tiwanacu (decorative Nazca-themed caps) won awards at Tipos Latinos 2016. In 2015, she created the free display typeface Abyaster, and the multiline Bolivian pattern typeface Khurus. In 2014, she designed the modular typeface Oraculo and the bribeware display typeface Lineas Y Puntos.Īmaru Creador won an award at Tipos Latinos 2014. In 2012, she designed the modular color font INTI, and the cultural pattern typeface family Sara. Vanessa created the experimental typeface Pacha (2010), which is based on old Indian patterns. She works a lot with pre-Colombian, Inca, and South American cultural patterns.
Zuñiga Tinizaray (aka Amuki) is a graphic designer and art director in Loja, Ecuador. Also, Chey1SILManuscriptL (1994, Summer Institute of Linguistics, a Cheyenne font that looks like Courier). įree fonts at Howard Berlin's site included Cherokee, LucidaSans Navajo. ĭiscussion of American Indian language fonts on typophile. ĭuring her studies in Lima, Peru, Allison Lopez designed the Nazca culture-inpired rounded typeface Munay (2018). Ībout ten fonts here, including some barcode fonts, and a truetype font for Algonquian (Algic languages) by Peter S. She created an all caps alphabet that was inspired by Indian art in 2009. īogota, Colombia-based designer of the curly Wayuu culture-inspired typeface Jerulaa (2016).
Stanier from Essex University (UK) has created the following metafonts: ams1, cherokee, cypriote, dancers (the "Dancing Men" code of Conan Doyle), estrangelo (ancient Syriac language), georgian, goblin, iching, itgeorgian, ogham (found on ancient Irish and pictish carvings), osmanian (twentieth-century font used in Somalia), roughogham, shavian, southarabian (for various languages circa 1500BC), ugaritic (ancient cuneiform alphabet). ĭesigner of the Cherokee glyphs used in the Unicode chart. Istanbul-based desigfner of Aztek (2015). The site also carries plenty of utilities for these languages. AiPaiNunavik 2.0, all of the improvements to AiPaiNutaaq with AiPaiNunavik 8 bit encoding) and AiNunavik (1995, Ray Taylor), a font based on an original design of F.
There are also AiPaiNutaaq (Unicode 3.0, full eastern arctic syllabary and Greenlandic), AiPaiNuna (a.k.a. A version that is fully Unicode 3.0 compatible is available too.
The fonts contain the full Eastern Arctic syllabary (Nunavut and Nunavik).
Fully-compatible Macintosh and Windows TrueType fonts in regular, italic, bold and bold-italic are available. Ray Taylor (Acorda Design Integration Inc) created a new Inuktitut font specifically for the Nunavik region of Northern Québec: AiPaiNunavik (2001) represents a return to the traditional way of writing the AI-PAI-TAI column of syllables. TYPE DESIGN INFORMATION PAGE last updated on